越南首座，私人第二座！Storm Audio風暴/Wilson Audio/Perlisten 7.4.5.5劇院開箱紀實
本文最後由 daniel0810 於 2024-10-31 06:59 PM 編輯越南首座，私人第二座！Storm Audio風暴/Wilson Audio/Perlisten 7.4.5.5劇院開箱紀實
聽過了好聲音就不會忘記！T先生在台北已經有一座Wilson Audio/Ken Kreisel揚聲器擔綱的7.2.5.5風暴劇院 (前文詳：絕美的空中閣樓 StormAudio風暴/Wilson Audio/ATC/Ken Kreisel 7.2.5.5三層式劇院正式啟動！ )，而風暴多聲道處理器特有的大動態、豐富細節和乾淨、層次線條的生猛低頻還有充滿彈性的調整項目讓他讚賞不已。此番漢怡國際榮幸應邀來到越南調整風暴處理器，正是這位業主因為喜歡在台北客廳裡的風暴劇院之聲，決定將其在越南的劇院也升級風暴MK3。
除了主聲道的Wilson Audio落地揚聲器之外，後環繞是Piega Coax 811，其餘揚聲器清一色使用Perlisten旗艦S系列；在多聲道系統中左右主喇叭用上Burmester 909 MK5 mono mono推動，其餘環繞及天空聲道則是由Rotel及Trinnov的多聲道後級擔綱。超低音部分喜歡玩器材的系統主人則除了Perlisten旗艦D215s之外，加入REL No.32及JL Audio Gotham V2 g213v2和Paradigm Sub Persona的超猛聯合國陣仗，最終打造出一套7.4.5.5的強大系統！
Piega Coax 811和REL No.32
Perlisten天空聲道
JL Audio Gotham V2 g213v2
Paradigm Sub Persona和Perlisten D215s
既然是專用空間，超低音的擺位就可以講究一些，經過一段時間將4支超低音就定位後便進行Dirac Live ART量測調整並利用不同目標曲線及Netflix、YouTube 上各式影音內容試聽驗證。風暴從不讓人失望，業主不斷點頭：
「哇！這個天空聲道的密度和細節比之前好太多了⋯」
「喔！喔！這個低頻有感！低頻線條超讚，同時沙發也都晃起來了耶！」
「人聲又寬鬆又有透明感，好聽！」
原本就要收工用餐，但是當下又忍不住注意到一個細節 - 就是這套耗資千萬的系統負責提供資料來源的器材竟然是一台加上線性電源的工業用網路交換機。
「這麼用是希望保持聲音的中性。」主人解釋。
當然不可能是成本的問題。但既然隨行前來朝聖的DIVA團隊帶著參展用的DIVA EX-7旗艦網路交換機，不聽聽看怎麼可以！？
「可不可以讓試試看讓DIVA EX-7串上去會發生什麼事？」我忍不住要求。
DIVA網路線、EX-7、EX-mini
主人也好奇這樣能帶來什麼樣的改變，馬上爽快答應。與展場相同，不改變音量、擺位、以相同目標曲線，只有將Apple TV的網路線分別插入EX-7和原本的網路交換機，我們很謹慎仔細地反覆用Netflix的「鬼影特工：以暴制暴」開頭的飛車追逐片段作ABAB比較。DIVA EX-7交換機一接上，在場4個人都驚呼：
「這個差太多了！」
「車身金屬和顏色對比都明顯更好！」
「人聲彷彿飛出螢幕，就來到眼前，汽車機車從旁呼嘯而過距離耳朵更近，彷彿就要從身上輾過去一樣！」
「這台必須留下！」主人一臉嚴肅地說。
這台DIVA EX-7於是成為業主視聽室的新成員。如同風暴處理器一般，體驗過DIVA交換機也回不去了。在這套從喇叭線、電源線到HDMI線等所有線材都是Nordost旗艦系列的頂級Hi-End系統上，竟然聲音和影像竟還能再好上一皮！
好還會再更好！目前的中置揚聲器Perlisten S7C表現不俗，但是要和現場的Wilson Audio主喇叭完美結合，還是得等已經下訂的Wilson Audio旗艦中置Mezzo Center Channel到位才行。另外，由於以mono mono方式來推動左右揚聲器的Burmester 909MK5推理著實驚人，目前系統中的對聲道後級難以匹配，以致於必須啟動Burmester的前級線路來「壓制」左右主喇叭的音量方可達成全系統各聲道的一致。也就是說，為了要在多聲道場合解放眼前的Wilson Audio系統，讓類比訊號可以透過Bypass線路直入Burmester 909 MK5後級，更換現行的多聲道後級勢在必行！最後，若能再來一顆Perlisten D215s作堆疊來模擬天空砲，一定會更有趣！
「太好了！所以最完美的狀態就是等我的Wilson Audio中置就定位，並且換掉目前的多聲道後級，再疊一支D215s對嗎？屆時要煩你還來越南走一趟喔！」這位同時擁有兩座風暴劇院的T先生說。好聲音是「綜效」，建構好的聲音確實需要面面俱到，仔細考量檢視聲音中每一個環節。榮幸能夠調整參與在這樣追求系統極限的劇院，滿心期待下次再訪！
Vietnam’s first—and the owner’s second dedicated Storm Audio theater! A detailed look at the unboxing and setup of this 7.4.5.5 Storm Audio/Wilson Audio/Perlisten home theater
Unforgettable sound, once experienced, is never forgotten. Mr. T, already the owner of a Wilson Audio/Ken Kreisel-based 7.2.5.5 Storm Theater in Taipei, deeply appreciates the Storm Audio processor’s dynamic range, rich details, and powerful yet refined low frequencies, as well as its flexible calibration options. This time, it was an honor of Haneasy International to be invited to conduct upgrading Mr. T’s Vietnam theater to the Storm MK3.
Enthralled by his Storm system in Taipei, he chose to replicate the experience here, using Wilson Audio floor-standing speakers for the main channels, Piega Coax 811 for rear surrounds, and Perlisten’s flagship S series for all other speakers. The left and right main speakers are driven by Burmester 909 MK5 mono amplifiers, with additional surround and height channels powered by Rotel and Trinnov multichannel power amplifiers. The subwoofer setup is a powerful assembly: Perlisten’s flagship D215s, paired with REL No.32, JL Audio Gotham V2 g213v2, and Paradigm Sub Persona —altogether creating an impressive 7.4.5.5 configuration.
As this is a dedicated space, subwoofer placement was meticulously optimized. Following precise positioning of the four subwoofers, we conducted Dirac Live ART calibration, testing various target curves across a range of audio-visual content on Netflix and YouTube. As expected, Storm Audio did not disappoint, as the owner enthusiastically noted:
“Wow! The density and detail of the height channels are noticeably improved.”
“Oh! This bass hits hard! The definition in the low end is excellent, and it makes the entire sofa vibrate!”
“The vocals are rich and transparent, absolutely captivating!”
Just as we were about to wrap up, a detail caught my eye: the media source for this multi-million-dollar system was running through an industrial network switch connected to a linear power supply.
“The goal is to preserve the system’s neutral sound profile,” the owner explained.
Of course, I understood cost was never the concern to him. But I had brought along a DIVA EX-7 flagship network switch for the stereo show in the city, we couldn’t resist a test. I requested, “Could we try the DIVA EX-7 to see what it does to the sound?”
Curious about the potential impact, the owner readily agreed. With no changes to volume, speaker positioning, or calibration, we conducted an ABAB comparison using the high-speed chase scene at the start of 6 Underground on Netflix, carefully swapping the network cable of the Apple TV between the DIVA EX-7 and the existing switch. The difference was astonishing:
“The improvement is immense!”
“The metallic sheen and contrast on the vehicles are remarkably enhanced!”
“The vocals feel as though they’re leaping out of the screen—right in front of us. Cars and motorbikes whiz by, seemingly inches from the ears, as if ready to barrel right over us.”
“This one stays!” the owner declared with a serious look.
Thus, the DIVA EX-7 found a new home in the theater. Much like the Storm processor, once you experience the DIVA switch, there’s no going back. In this top-tier Hi-End system, with Nordost flagship speaker、 power and HDMI cables, it’s incredible that both audio and visual quality could still take a further leap.
And excellence can always be refined. The Perlisten S7C center channel performs admirably; however, for optimal coherence with the Wilson Audio mains, we await the arrival of the Wilson Audio Mezzo Center Channel. Additionally, while the Burmester 909 MK5 monoblocks provide formidable power for the left and right channels, the current multichannel amplifiers fall short in matching their output. As a workaround, we activate the Burmester preamp circuitry to “tame” the main channels, achieving consistent levels across all channels. Ultimately, to fully release the potential of this Wilson Audio system in a multichannel setup, much more powerful multichannel amplifiers will be essential. Finally, adding another Perlisten D215s to simulate an “overhead cannon” effect could add a new dimension to the soundstage.
“So, the ultimate setup is with my new Wilson Audio center speaker, upgraded multichannel amp, and an additional D215s stacked—correct?” said Mr. T, who now owns two Storm theaters. “Looks like I’ll need to bring you back to Vietnam soon!”Great sound is a synergy—every element must be thoughtfully considered and refined. It’s a privilege to be involved in fine-tuning a system at this level, and I look forward to further perfecting this out-of-the-world home theater.
風暴Hi-End劇院在越南！而且是業主第二座風暴劇院！業主可以說是風暴鐵粉了!!!!!
頁:
[1]