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James Cameron wants Avatar 2 to be 60fps 3D

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發表於 2011-4-6 13:18:08 | 顯示全部樓層 |閱讀模式

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本文章最後由 len1978 於 2011-4-6 17:40 編輯

最早的報導是這篇:

James Cameron 'Fully Intends' to Make 'Avatar 2 and 3' at Higher Frame Rates
UPDATED: He says at CinemaCon that he is looking seriously at 48 and 60 frames per second.

LAS VEGAS -- Championing the digital 3D movie revolution at a joint appearance at the CinemaCon exhibitors convention Wednesday, the high-powered trio of James Cameron, Jeffrey Katzenberg and George Lucas outlined their latest efforts to wow moviegoers.

Cameron said that shooting movies at a higher frame rate than the standard 24 frames per second will give them an added sense of reality. Katzenberg explained how advances in computing power are affecting how computer graphic artists create stories. Lucas related to the packed session that 2d to 3D conversion takes time and creative talent.
As evidence of his belief in increasing frame rates, Cameron said he "fully intends" to make Avatar 2 and 3 at higher rates and is looking seriously at 48 and 60 frames per second.

"When you author and project a movie at 48 or 60, it becomes a different movie," he said.
"The 3D shows you a window into reality; the higher frame rate takes the glass out of the window. In fact, it is just reality. It is really stunning."

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這篇是追蹤報導:
James Cameron wants Avatar 2 to be 60fps 3D

 樓主| 發表於 2011-4-6 13:31:17 | 顯示全部樓層
本文章最後由 len1978 於 2011-4-6 13:35 編輯

另一篇追蹤報導:

CinemaCon: James Cameron Demos the Future of Cinema at 60 FPS
April 4, 2011
by Alex Billington



引述幾段重點:

James Cameron presented a tech demo - he shot footage four weeks ago - to the industry to show the difference between 24FPS (the typical shooting framerate) and both 48 and 60FPS in 3D.  One word: wow.

I wish I could show everyone Cameron's presentation in a theater myself, but since that's impossible, I'll have to do my best to describe the experience. Most have probably had the "realistic" video experience at some point, maybe even on their home 120Hz TVs, but the jump from 24 to 48 was astounding. However, it was 60FPS that really made the scenes feel completely and utterly realistic (think almost Public Enemies or Collateral, in a way). All the action, not only from the actors in the scene, but the camera movements themselves, were unbelievably smooth.

As Cameron explained at one point, if watching 3D in cinemas is like looking through a window - making the jump to 60FPS was removing that window.
And that was true and in cinema, not many have been able to see that yet. Just wait until you actually get that opportunity - your jaw will drop as well.
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